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The Conversion of Mary Magdalene by Paolo Veronese

The Conversion of Mary Magdalene by Paolo Veronese

The Conversion of Mary Magdalene is an oil painting, an early work by the Italian Renaissance artist based in Venice, Paolo Veronese (1528–1588). He was known for his sumptuous paintings with a dramatic and colourful style. Dating from circa 1545–1548, the painting was commissioned by a noble patron in Verona. It is held by the National Gallery in London.


The subject of the painting had been debated: the general opinion is that it depicts the conversion of Mary Magdalene, as described in Pietro Aretino's 1535 book L'umanità di Cristo; this version of the Gospels was widely distributed and read in Northern Italy at this time. In the legend that inspired the painting, Mary went to a temple where the teachings of Jesus inspired her to convert to a pious life. In the painting she is depicted in dress inappropriate for the religious building, which Veronese used to symbolise her prior sinful life. She is shown on her knees and blushing as she listens to Jesus.

Details

Created
1545 - 1548
Medium
oil on canvas
Dimension
164cm × 118cm
Passage
Luke 8:1-3

Found in: Luke, Luke 8, 16th century

Luke 8:1-3

1 Soon afterwards, he went about through cities and villages, preaching and bringing the good news of God’s Kingdom. With him were the twelve,

2 and certain women who had been healed of evil spirits and infirmities: Mary who was called Magdalene, from whom seven demons had gone out;

3 and Joanna, the wife of Chuzas, Herod’s steward; Susanna; and many others; who served them from their possessions.

Luke 8:1-3 · World English Bible

The artist

Paolo Veronese

Paolo Veronese

1528 - 1588

Verona

Paolo Caliari, known as Paolo Veronese, was an Italian Renaissance painter, based in Venice, known for large-format history paintings of religion and mythology, such as The Wedding at Cana (1563) and The Feast in the House of Levi (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the cinquecento" and the Late Renaissance in the 16th century. Known as a supreme colourist, and after an…

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