The Adoration of the Golden Calf by Nicolas Poussin
The Adoration of the Golden Calf is a painting by Nicolas Poussin, produced between 1633 and 1634. It depicts the adoration of the golden calf by the Israelites, from chapter 32 of the Book of Exodus. It was made as part of a pair of paintings (the other being The Crossing of the Red Sea) commissioned by Amadeo dal Pozzo, Marchese di Voghera of Turin, a cousin to Cassiano dal Pozzo, Poussin's main sponsor in Rome. By 1685 the pair had passed to the Chevalier de Lorraine and in 1710 they were bought by Benigne de Ragois de Bretonvillers. In 1741 they were bought from Samuel by Sir Jacob Bouverie, whose son William became the first Earl of Radnor. The Earls of Radnor owned the pair from then until 1945, when it was split for the first time and The Adoration of the Golden Calf bought by the National Gallery in London for £10,000, half of which was contributed by the Art Fund. (The Crossing of the Red Sea was bought in the same 1945 sale by the National Gallery of Victoria.) It now hangs in Room 19 of the National Gallery, where it and Poussin's The Adoration of the Shepherds were vandalised with red spray paint on 17 July 2011. The French-speaking vandal covered up most of the nude figures.
Details
- Artist
- Nicolas Poussin
- Created
- c. 1634
- Medium
- oil on canvas
- Dimension
- 214cm × 154cm
- Passage
- Exodus 32:4
- Housed at
- The National Gallery Trafalgar Square, London
Found in: Exodus, Exodus 32, 17th century, Golden Calf
Exodus 32:4
4 He received what they handed him, fashioned it with an engraving tool, and made it a molten calf. Then they said, “These are your gods, Israel, which brought you up out of the land of Egypt.”
Exodus 32:4 · World English Bible
The artist
Nicolas Poussin
1594 - 1665
Les Andelys, France
Nicolas Poussin (June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional…